Sunday, February 9, 2025

Sucker Perception

Yesterday I went to the gym and while I walked, I listened to a conversation on “Magic as Radical Embedding in our Web of Relations” between David Abram and Sophie Strand.  They were talking about a kind of magic that is completely natural and yet perhaps on a deeper level than we are normally conscious of.  They proposed that we can shift our perspective and become aware that this earthly world is constantly presenting us with opportunities to see and interact with it…  that magic can be found through inter-species collaboration and by becoming radically embedded in the ecosystems of life.

I continued listening in the car on the way home from the gym.  As I pulled into the driveway, Sophie was mentioning that even the act of walking on the body of the earth can activate unseen worlds of mycelial fungi and that our presence has the capability of being medicine to the world.  They both then told stories of their own experiences of magical encounters with the animal kingdom.

The podcast ended as I sat in the driveway and it inspired me.  When I stepped out of the car, I had the urge to walk on the earth and to visit the little Buddha statue that’s tucked in the garden.  As I approached it, I noticed something incredible.  A vine of ivy crossed the Buddha’s chest.  And coming off the vine were tiny tendrils that reached out to connect to the Buddha’s heart.  They appeared like miniature stethoscopes listening to his chest.  I paused and smiled.

Some might say, “It’s just a sucker from the ivy…no big deal.”  Some might also say, “You’re a sucker if you think that means anything.”  But I view it quite differently.  I say “I am a sucker for finding magic and joy in this world.”  Choosing this perception is a small, subtle act.  But I believe recognizing these small synchronicities in our lives is a profound way of connecting to life…a way of touching and listening to the very heart of the world.

"If we could say that perception is like the medium of the magician, much like pigments are the medium for a painter, or musical tones for a composer. But a magician is working with this very malleable texture of sensory experience itself and shifting the senses, opening, altering the feel of one's encounter with the sensuous, altering the senses.

To what end? We could ask, and well, to the end of being able to shift out of your purely human style of experience, to feel something of this other style, that of the squirrel, or of the spider as she's spinning the cosmos out of her abdomen, and maybe being able to enter into some kind of communion or communication, with that spider or with that ponderosa pine tree, or with the whole Aspen grove."
—David Abram