Peppermint Print

"Don't feel guilty about being happy during this difficult time.

You do not help at all being sad and without energy.
You help if good things emanate from the Universe now.
It is through joy that one resists..."

—excerpted quote from White Eagle of the Hopi Nation,  (full quote here)

INSPIRATION

I don't know why, but I have an obsession with folk patterns and design.  When I was thinking about what to do this year for my holiday print I knew I wanted to combine a plant image with a folk pattern.  I started by looking back at my old files and came across an image I made in 2011 of Hansel and Gretel next to a gingerbread house.  At the bottom of the image was an alternating pattern of gingerbread men and peppermints.  (You can see the image here).  When I saw the peppermint, the idea came to me to do a peppermint flower!  It not only combined plants and folk patterns, but had the added bonus of holiday cheer.  

IMAGE TRANSFER

I designed my image in Illustrator and printed it onto paper.  I then traced the image and transferred it to my block by rubbing the back with a credit card.

CARVING

After transferring to the block,  I carved the design using Flexcut carving tools.  This print took me somewhere between one and two hours to carve.  I also really like photographing the plate before it has any ink on it.  I love how the image is only seen through light and shadow.  It reminds me of icing and I want to eat it up!

PRINTING

Once I was satisfied with the carving I moved to the studio to print.  Below you can see my printing setup.  

For this particular print I devised a "high tech" wood frame and cardboard registration system. I used double-sided tape to stick the plate to a piece of cardboard that was 1/4'' bigger than the plate.  Then I glued two pieces of wood together to form a corner that my paper could rest against as I placed the paper down onto the plate.  My system worked OK.  After a while the plate shifted a bit and I had to peel it off and place it in the proper position again. 

VIDEO

The video below shows the process from start to finish.  Although if you look closely, you will see the video is of me pulling the test print before I devised my fancy registration system.   

(Music: "Jingle Bells" by Scott  Holmes, Free Music Archive)

FINAL PRINTS

The bulk of the printing took me four days (plus an extra half day when I realized I didn't have enough).  My original goal was to print 144 peppermints.  I tried to limit myself to about 30 to 40 prints a day to save my wrist and hands from too much wear and tear.  

As usual, I ended up carrying all of the prints upstairs on long sheets of cardboard and laid them on the radiators to dry.  

Once everything dried, it was so fun to lay them all out on the big table in my studio.  

If you look at them from a distance they look like a red and white carpet.

“Unravel my magic carpet.
Shake the gold dust from my trips to the sun
& take it for a spin, to the center of your universe; Within.”

― Curtis Tyrone Jones

In addition to photographing the prints together, I like to take close-ups of a single print.  The cats and I went out to the back porch one day and we had fun playing with the peppermints.

SORTING, MAILING, SIGNING, CORRECTING

After the photo shoots I went through each one to see if there were any problems.  There were the obvious rejects that had fingerprints or large smudges.  But sometimes a print was perfect except for a little "string" of ink or a blob in an unfortunate place.  For those I attempted to carefully use an X-Acto blade to scrape off the offending error.  Sometimes I was successful, but sometimes I ended up ruining the print.  I had about a 60/40 success to failure ratio.  It was probably better to just leave them alone but I couldn't help myself.  Overall I ruined about 11 prints from fingerprints, ink "strings", messiness, crookedness, and my "corrections".  I did have to go back after I thought I was finished and print 6 more in order to have enough for my Christmas list.  In the end I ended up with 139 prints.    

In addition to making corrections, I also numbered, titled, and signed each print.   

POEM

The past year or two we have been including a poem describing our year.  I wasn't sure how this year's poem would pan out with the pandemic, but George picked up where I left off and we wrote it fairly quickly.  I also decided to include a sliver of one of my "pandemic" sketches (you can read more about them here).  In addition to being a nice recap of the year, I like that the folded poem provided a nice way to protect the print when pulling it out of the envelope.

CONCLUSION

This year has been a difficult one in many ways.  The main way I was able to stay sane was to concentrate on doing my art.  When I would start to feel stressed I would redirect myself to my work and it felt like an oasis in the desert.  The work is not just a distraction but a joy, and I am so thankful for it.

I wish I could send everyone I know a hand-printed peppermint card.  You know I would do it if I could!  But what I can do is wish each and every person good health, happy holidays and a new year filled with wondrous possibility and peppermint joy.  Thank you for going on this wild, delightful ride with me!  And remember, "When life gives you a global pandemic, focus on the peppermint!"

“The joy we feel has little to do with the circumstances of our lives
and everything to do with the focus of our lives.” 
 

—Russel M. Nelson